Up Hayakawa's Ladder

According to the great media ecologist Neil Postman, “the dictionary definition is not the end of an argument on its meaning, it is the beginning of one.”

Alfred Korzybski, a Polish engineer, thought so too. Coming out of the horror of the First World War, he asked: We as humans have progressed past Euclidian geometry and Newtonian physics, why do we still adhere to a language system dominated by Aristotle?

In short, Aristotelian language systems are built on the law of the excluded middle. A is A and cannot be B. Something is, in its totality. Grass is green. But look at it from the reverse perspective: Is Green grass in all cases? Something is amiss here.

Non-Aristotelian language systems are “fuzzier” - they do not deal in absolutes. Instead, they look at probabilities, offering different meanings resting upon how we deal with abstractions.

Language is thought in action. The sounds we make, the letters we write, the way we move our hands and faces is our way of making our inner thoughts come alive in the real world. We then interpret those signals and process them as thoughts of our own.

In this process, some of the “true” meaning is lost. The signal is interrupted by noise. Sometimes that noise is of our own making.

In the 19th Century we hit the limits of Euclidian geometry; in the early 20th we hit the limits of Newtonian physics. In the 21st, we are seeing us hit the limits of Aristotelian language.

Non-Aristotelian language systems ask this question: what is going on? The language must shape the observations and be conscious that our words do not cover every single aspect of whatever is described.

S. I. Hayakawa’s Abstraction Ladder.

S. I. Hayakawa’s Abstraction Ladder.


Look at Hayakawa’s Ladder. Samuel I. Hayakawa was a US Senator and General Semanticist that borrowed from Korzybski’s ideas. We as humans confuse logical levels all the time. The abstract concept of “wealth” could mean almost anything lower on the ladder. “Bessie” the cow, one particular cow among many, is lost amongst that “wealth.”

One could argue the art of political communication is pitching high abstract concepts at as many people as possible and moving up and down the ladder depending on the political objective.

Not only that, but words can have different meanings depending on context. The phenomenon of “fake news” is often a deliberate confusion between more abstract terms and concrete terms. Concrete being what we see or hear directly; abstract in the sense of what we can infer; and “defined” by what we judge to be true. For example:

Observation: My neighbour Joe hasn’t returned the hammer he borrowed from me a month ago.
Inference: Joe is lazy and careless about other people’s belongings.
Judgement: Joe is a bad and untrustworthy person.

Now let’s observe this further and get more information.

Observation: My neighbour Joe hasn’t returned the hammer he borrowed from me a month ago.
Inference (based on further observation): Joe is a widower. He’s under lockdown with three kids and has been laid off, he must have his hands full at the moment.
Judgement: Joe is likely depressed and anxious. I won’t bother him with such trivial things at the moment.

I write this because I’m tutoring a friend of mine in writing university essays. I explained this concept to him, and he threw his hands up in the air. “Was I away when they taught this in school?”

I told him they don’t teach this in school.

He was shocked.

I thought about it for a tick. I was shocked too.

What if next to no one is taught this at any level? Why are we running around using inventions based on current science and using a language built for primitives?

Is this not a recipe for disaster?

Or are we living in the oven already?

Let’s hope not.

Do you have once-a-year books?

Philip K. Dick.

Philip K. Dick.

In the writing game, I feel that you need to consume more than you produce. That is, writers should really read more than they write. Busy lifestyles command more of our time in ever thinning slices, but reading should be a top priority for anyone who communicates in a professional setting. How you divide that time is up to you: some prefer magazines, others prefer non-fiction. I maintain that a variety of styles and sources is best for a well-rounded “education” on writing. I think reading deeply is as important as reading widely. The path to mastery is not one, but many. I try to read the most pertinent in my collection at least once a year, to remind myself of certain facts and certain perspectives.

Non-fiction

Amusing Ourselves to Death by Neil Postman

I’ve mentioned this book on the blog before, but it’s more relevant than ever. Those scratching their heads at how the US populace could elect a Reality TV president, this book written 30 years prior gives insight other commentators merely skirt around. I mean, we already had the Reality TV war (Iraq) and the Reality TV terror attack (September 11), was a Reality TV leader of the free world that far-fetched? Postman shows us a media culture obsessed with “feel-good” over “facts,” and the biases of our mediums that conspire to keep it that way.

Language in Thought and Action by Samuel I. Hayakawa

The “popular” text on General Semantics and language studies, a must for those who want to discover their own semantic biases and the biases of others. It too delves into logic games, multi-valued orientations vs. two-valued “absolutisms”, poetry and the advertiser, what words really “mean”, and much more. An essential book for those working in communications.

Fiction

Nineteen-Eighty Four by George Orwell

This book was one of the first I’d read in high school and has stuck with me ever since. I think I’m attracted to the linguistic element of the book, Newspeak, and the narrowing of our experience as Big Brother eliminates complex ideas. “You don't grasp the beauty of the destruction of words,” says Parsons, our protagonist Winston Smith’s co-worker in the Ministry of Truth. Reading it sends a chill down my spine each time. Compare “Ministry of Truth” to “Social Justice” or “Fake news.”

Ubik by Philip K. Dick

One of the first ever books I’d read of Philip K. Dick, and one that demonstrates the power of words to craft an alternate reality. The mention or non-mention of certain phrases and passages turns a world on our head, as does the revelation and suppression of certain bits of information. It’s a philosophical tome, a book about running out of time, and much more.

Do you have once-a-year-books?